Megadeth frontman Dave Mustaine is hoping the Big Four of thrash metal can share a stage again before Slayer retire – but he’s not sure Metallica will agree to take part. If they don’t, he believes Megadeth, Slayer and Anthrax could still assemble a show.
All four ‘80s bands finally played together in 2010 and 2011, and speculation has continued since then that more events could be staged. The announcement last week that Slayer will bow out at the end of their upcoming farewell tour has given the prospect new urgency.Download Our App
“I think if you asked the three of us, that our camps would probably say ‘yes,’” Mustaine told Eddie Trunk in a new interview with SiriusXM. “If Anthrax, Slayer and Megadeth all wanna do it, and Metallica doesn’t, then what do we do? The Big Three? I’m sure that a lot of people would like to see that, and that may be what it is. You know, you may end up having it be the Big Three plus No. 5, if we have Exodus play with us.”
Mustaine added that he still hoped Big Four shows could be arranged, perhaps in Japan, South America and Asia, to give fans “an opportunity to see it before it goes away forever.” But he revealed he’d want the balance to be different from the earlier shows, in which Metallica had a clear leading role with longer set times and more stage space. “I would love to see it done in a way where we all got treated fairly … but I don’t think that’s gonna happen,” he said. “And it’s cool, because Slayer’s gonna go down in history, and they don’t need the Big Four to make them any more legendary than they already are. Nor do I.”
Meanwhile, in a separate interview, Anthrax guitarist Scott Ian revealed that he understands the decision made by Slayer frontman Tom Araya and guitarist Kerry King to quit the road five years after the death of guitarist Jeff Hanneman (which led to the hiring of Exodus guitarist Gary Holt).
“I’ve been around those guys long enough – I get it,” Ian told WRIF (via Blabbermouth). “As great as it’s been, and Gary’s a motherf––er on guitar and there’s nobody else that could have filled that role better than Gary Holt. But still, they lost Jeff, and I understand how, after that, certainly for Tom and Kerry, nothing will ever be the same. I can understand that they were able to come to what was obviously a very tough decision to say, ‘All right. Let’s put an ending on this.’”
He noted that “all the best things have a great ending, whether it’s a book, a movie, a TV series. If you don’t stick the ending, it’s almost like, what was the point in the first place? And I like the way they’re doing this, and I really think they’re gonna go out in a big way and really stick the ending.”
MEGADETH mainman Dave Mustaine says that it’s just a matter of time before he is inducted into the Rock And Roll Hall Of Fame.
Mustaine, who was a member of METALLICA for less than two years, from 1981 to 1983, before being dismissed and replaced by Kirk Hammett, was not inducted into the Rock And Roll Hall Of Fame with the band during the April 2009 ceremony at Cleveland, Ohio’s Public Auditorium. Despite this, he has found some solace in the fact that he is credited on the first two METALLICA albums and co-wrote half a dozen or so songs with the band which, inarguably, helped launch their career.
“I’m basically in there with the METALLICA thing; that was basically just a diss those guys pulled,” Dave told The Columbus Dispatch in a new interview. “But it would nice to be in there on my own two feet. I’m sure at some point it will happen. You can’t create a whole frickin’ music style and not be recognized for it.”
After twelve nominations in the past twenty-six years, MEGADETH finally won a Grammy Award for “Best Metal Performance” earlier this year.
Even so, Mustaine told The Columbus Dispatch that he won’t be fully satisfied until he has a Grammy with his own name on it.
“As crazy as I am, I was thinking about the Grammy the other day and [how] it was given to MEGADETH,” Mustaine said. “I was thinking it would surely be a lot better if it was given to Dave Mustaine and not to MEGADETH. I guess you’ve got to keep the fire burning.”
Mustaine told Noisey last year that he was “hoping” to be inducted into the Rock And Roll Hall Of Fame, but added that “if they don’t want me in there, it’s okay. I mean, I am in there vis-à-vis METALLICA, and no matter what those guys say or what anybody believes about their induction ceremony, they wouldn’t have been there if it wasn’t for me being in the band, because I was there in the beginning, so I have some satisfaction.”
METALLICA drummer Lars Ulrich later explained to The Plain Dealer that Mustaine was not included because “you’ve got to kind of cap it somewhere. Dave Mustaine never played on any METALLICA records. No disrespect to him. But there [were] half a dozen other people that were in the lineup in the early days. We thought . . . the fair thing to do would be to include anybody that played on a METALLICA record.”
He added: “Dave Mustaine was in the band for 11 months, predominantly in 1982. . . . I’m not trying to play it down. I have nothing but respect and admiration for his accomplishments since.”
METALLICA invited Mustaine to attend the Rock Hall induction. He declined, citing European tour commitments, but issued a statement congratulating the band. He later explained his absence in an interview, saying: “I’m not gonna sit in the audience and watch the band I started with these two guys get inducted and me not be a part of it.”
He added: “There’s ten million people that agree [I should have been inducted]. . . You know what [Lars] said to me?! He said, [imitating Lars‘ Danish accent] ‘Only the people that are on the fucking record can be at the Hall Of Fame, man.’ And I was like, ‘Well, Hooked On Phonics worked for me; I can read my name; it’s all over [the first METALLICA album]. [Laughs] But you know what?! It’s okay, ’cause if I’m gonna get into the Hall Of Fame, there’s nothing he can do to stop me.”
METALLICA drummer Lars Ulrich will dedicate this weekend’s episode of his Apple Music Beats 1 radio show “It’s Electric” to his fifteen favorite heavy metal and hard rock records of all time.
The list, which he initially prepared for Rolling Stone magazine, covers a wide spectrum of styles, from the Satanic lyricism of MERCYFUL FATE‘s “Melissa” to the politically charged rap-metal sounds of RAGE AGAINST THE MACHINE‘s “The Battle Of Los Angeles”.
“For each artist that’s part of my ultimate metal or hard-rock albums, I went for what you would call the definitive moment in their catalogue,” Ulrich told Rolling Stone. “And for a lot of these bands, they went through a kind of evolution, a kind of a growth and a lot of them have a lot of great records. So what I picked is a combination of what that album represents from the artist and what impact it had on me.”
Lars Ulrich‘s Top 15 metal and hard rock albums, presented in alphabetical order.
* AC/DC – “Let There Be Rock” (1977)
* ALICE IN CHAINS – “Dirt” (1992)
* BLACK SABBATH – “Sabotage” (1975)
* BLUE ÖYSTER CULT – “On Your Feet Or On Your Knees” (1975)
* DEEP PURPLE – “Made in Japan” (1972)
* DIAMOND HEAD – “Lightning To The Nations” (1980)
* GUNS N’ ROSES – “aPPETITE FOR dESTRUCTION” (1987)
* IRON MAIDEN – “The Number Of The Beast” (1982)
* JUDAS PRIEST – “Unleashed In The East” (1979)
* MERCYFUL FATE – “Melissa” (1983)
* MOTÖRHEAD – “Overkill” (1979)
* RAGE AGAINST THE MACHINE – “The Battle Of Los Angeles” (1999)
* SYSTEM OF A DOWN – “Toxicity” (2001)
* UFO – “Strangers In The Night” (1979)
* WARRIOR SOUL – “The Space Age Playboys” (1994)
You can read Ulrich‘s commentary on each of his fifteen picks at RollingStone.com.
METALLICA‘s latest album, “Hardwired… To Self-Destruct”, came out last November, eight years after “Death Magnetic”.
METALLICA is currently on a short break from its first North American tour in more than seven years, which resumes on July 5 in Orlando, Florida.
This tour marks the first time that METALLICA has offered “enhanced” or “VIP” experiences for fans, with some willing to cough up as much as $2,500 for personal meetings, photos and autographs from the group.
Metallica bassist Robert Trujillo says that Metallica have still to make their best record together since he joined the band.
They released Hardwired… To Self-Destruct last year – their first album since 2008’s Death Magnetic. And when asked about a possible follow-up, Trujillo says he feels as though they haven’t yet hit their peak.
He tells Sixx Sense: “Personally, I get excited about creativity and I’ve heard James Hetfield say it too, that we still have yet to make our best Metallica record together. And that’s a good thing.
“We’ve got more in us and I feel like, in a way, there’s a new beginning that’s happening here. These small shows we’ve been doing at Webster Hall in New York, the Opera House in Toronto and House Of Vans in London – it’s just fun.
“But what’s been great about it is we’ve been reconnecting on these small stages, and we’ve realised that we really like playing together. It’s been cool. And I don’t know. You can’t always predict this stuff – it just sort of grows and happens, and it feels good right now.”
It was filmed as the band continue the North American leg of their WorldWired tour which will resume on July 5 in Orlando, Florida. Find a full list of Metallica’s tour dates below.
Metallica 2017/2018 WorldWired tour dates
Jul 05: Orlando Camping World Stadium, FL
Jul 07: Miami Hard Rock Stadium, FL
Jul 09: Atlanta SunTrust park, GA
Jul 12: Detroit Comercia Park, MO
Jul 14: Quebec City Festival D’Ete de Quebec, QC
Jul 16: Toronto Rogers Centre, ON
Jul 19: Montreal Parc Jean-Drapeau, QC
Jul 29: Los Angeles Rose Bowl, CA
Aug 04: Phoenix University of Phoenix Stadium, AZ
Aug 06: San Diego Petco Park, CA
Aug 09: Seattle CenturyLink Field , WA
Aug 14: Vancouver BC Place, BC
Aug 16: Edmonton Commonwealth Stadium, AB
Sep 02: Copenhagen Royal Arena, Denmark
Sep 04: Amsterdam Ziggo Dome, Netherlands
Sep 06: Amsterdam Ziggo Dome, Netherlands
Sep 08: Paris AccorHotels Arena, France
Sep 10: Paris AccorHotels Arena, France
Sep 12: Lyon Halle Tony Garnier, France
Sep 14: Cologne Lanxess Arena, Germany
Sep 16: Cologne Lanxess Arena, Germany
Oct 22: London O2 Arena, UK
Oct 24: London O2 Arena, UK
Oct 26: Glasgow SSE Hydro, UK
Oct 28: Manchester Arena, UK
Oct 30: Birmingham Genting Arena, UK
Nov 01: Antwerp Sportpaleism Belgium
Nov 03: Antwerp Sportpaleism Belgium
Feb 01: Lisbon MEO Arena, Portugal
Feb 03: Madrid Wizink Center, Spain
Feb 05: Madrid Wizink Center, Spain
Feb 07: Barcelona Palau Sant Jordi, Spain
Feb 10: Turin Pala Alpitour, Italy
Feb 12: Bologna Unipol Arena, Italy
Feb 14: Bologna Unipol Arena, Italy
Feb 16: Mannheim SAP Arena, Germany
Mar 27: Herning Jyske Bank Boxen, Denmark
Mar 29: Hamburg Barclaycard Arena, Germamny
Mar 31: Vienna Wiener Stadthalle, Austria
Apr 02: Prague O2 Arena, Czech Republic
Apr 05: Budapest Sports Arena, Hungary
Arp 07: Stuttgart Schleyerhalle, Germany
Arp 09: Stuttgart Schleyerhalle, Germany
Apr 11: Geneva Palexpo, Switzerland
Apr 26: Munich Olympiahalle, Germany
Apr 28: Krakow Tauron Arena, Poland
Apr 30: Leipzig Arena, Germany
May 02: Oslo Telenor Arena, Norway
May 05: Stockholm Ericsson Globe, Sweden
May 07: Stockholm Ericsson Globe, Sweden
May 09: Helsinki Hartwall Arena, Finland
May 11: Helsinki Hartwall Arena, Finland
Metallica‘s concerts have changed a lot over the past few decades, but a few things have stayed the same — like the group’s intro music, which has been Ennio Morricone’s “The Ecstasy of Gold” since almost the very beginning.
The band’s long connection with Morricone’s music was detailed during their residency at the Mill Valley Film Festival in 2014 — seven years after they recorded a cover of “The Ecstasy of Gold” for the all-star tribute album We All Love Ennio Morricone. Appearing for a Q&A session alongside a screening of The Good, the Bad & the Ugly, frontman James Hetfield reflected on his memories of the classic Clint Eastwood western as well as Metallica’s history with the acclaimed composer whose work scored a slew of beloved films in the genre.
“I don’t remember the first time I saw it. I became a Clint Eastwood fan early on in my life,” said Hetfield. Calling Eastwood’s character in The Good, the Bad & the Ugly “one of the early mentors onscreen that I kind of wanted to emulate,” he added, “I actually identified with each person in the movie — the ugly one, the good and the bad. Without getting too deep, metaphorically, we all have that in us, we all have the potential to be each one of those.”
Speaking specifically of the Ugly soundtrack number “The Ecstasy of Gold,” Hetfield attributed its spot in Metallica lore to the group’s first manager, who heard their original intro music — “this really terrible intro tape that was just this heart beating and it got faster and faster and faster” — and suggested the song as a replacement.
“That was one of the coolest things that our first manager ever did,” laughed Hetfield. “That was pretty much the only thing that we kept from him, advice-wise.”
Kirk Hammett says that it “would be nice” if METALLICA could take less than eight years to release the follow-up to the “Hardwired… To Self-Destruct” album.
Aside from touring, METALLICA had spent a lot of time between the release of 2008’s “Death Magnetic” and 2016’s “Hardwired” on other projects, together with launching a music festival, collaborating on an album with the late Lou Reed and making a feature movie.
Asked by Donny Fandango of 105.7 The Point radio before the band’s June 4 concert at Busch Stadium in Saint Louis, Missouri if he thinks it is possible that Metallica is going to release the subsequent studio album before another 8 years have passed, Kirk Hammett said (see video under): “That would be nice. I don’t believe we’ve done something like that since, I guess, around the ‘Load’, ‘Reload’, ‘Garage Days Re-Revisited’, ‘S&M’ kind of period where there was just like a real concentrated period of output. It’d be nice to get to that, because we were still kind of actively touring behind an album, but we had these other things coming in too that kind of changed the tone of the tour that we were on and introduced other cool different songs and different factors. Like when the ‘S&M’ thing came out, we were, all of a sudden, playing with a symphony, which was quite a different thing. So if we could do something like that, it would be great, but this is a really big machine and sometimes it takes time to steer it this way or steer it that way in terms of pure inertia. It’s an effort.”
“Hardwired… To Self-Destruct” was certified platinum on April 12 by the RIAA (Recording Association Of America). The platinum certification reflects 1,000,000 equivalent album units, which blends traditional album sales, songs sold from an album and on-demand audio and video streams.
Lashing out the action, returning the reaction Weak are ripped and torn away Hypnotizing power, crushing all that cower Battery is here to stay.
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